Posts tagged ‘Lykke Li’

March 25, 2010

New Moon deconstructs “serious music”.

I watched New Moon last night. When a Bon Iver & St Vincent duet soundtracks the scene right before Edward leaves Bella, Lykke Li soundtracks a scene where Bella feels devastated because Edward left her, and Thom Yorke soundtracks a werewolf/vampire fight it creates a deconstruction of the idea that any music, even “serious music”, is truly on a higher credibility level. And, I like that.

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September 21, 2009

Full Twilight: New Moon tracklist.

Twilight: New Moon

Pitchfork posted the full Twilight: New Moon tracklist. In addition to new Thom Yorke, Death Cab For Cutie, and Lykke Li songs, there is a St. Vincent / Bon Iver collaboration and a Grizzly Bear / Victoria Legrand (Beach House) collaboration. All to soundtrack this:

July 2, 2009

Lady Gaga – The Fame

Let’s start with the good. They picked the singles really well. “Just Dance” and “Poker Face” are pretty decent club bangers with choruses that get stuck in your head. I particularly like the last minute of “Just Dance” where the song shifts to a 4/4 club beat. I also like the “live drum” beat of “Poker Face” and that “mamama” vocal bit. “Paparazzi” has a nice shuffling beat and 80’s new wave synths.

Unfortunately, the rest of the album is pretty terrible. Especially the last half. “Money Honey” is where she runs the ideas from “Just Dance” and “Poker Face” into the ground. “Again Again” slows things down to sub-Christina Aguilera balladry and the shuffling, swinging melody may be one of the most unoriginal melodies in existence and should be retired. “Boys Boys Boys” sounds like a Gwen Stefani / Rock Steady throwaway. “Brown Eyes” sounds like “Again Again” but worse. The “blues” guitar in the song is just about the most unconvincing thing on the whole album, and at points she sounds a little like Avril Lavigne. And that is a lot of the problem. The whole album is a pastiche of more talented, more original artists. Lady Gaga sounds like Annie Lennox in “Poker Face”. She sounds like Gwen Stefani again in “Summerboy”, and the song sounds like a Blondie or Franz Ferdinand rip that was popular two or three years ago. Final song “I Like It Rough” remembers that the album started as a electro pop record. It’s a pretty good despite the Aguilera theatrics.

“Lovegame” is the perfect example of why the album is awful lyrically. “Lets have some fun, this beat is sick, I want to take a ride on your disco stick” is in the running for worst lyrics ever. It’s not helped by a boring 90’s techno/rave melody that goes nowhere and stays that way. The awful “Eh Eh (Nothing Else I Can Say)”, which musically sounds like a track on an 80s comp I’d skip over, says it all in its title, doesn’t it. You can argue that she’s doing this as some sort of “piss take” on celebrity culture. But, it’s quite clear she has a huge marketing campaign behind her. It’s clear by her fashions and her early 90’s Madonna-like stage performances that she wants people to notice her. It’s also clear that by trying to reference David Bowie and Queen, and not the artists she really resembles (Aguilera, Stefani, etc), it’s a grab for some sort of respectability that is completely fabricated.

Now for something new to my blog. I’ve been so interested and critical of this album because I listen to a lot of female dance pop artists. I wanted to see why this woman has been selected as the “next Madonna” or whatever. I am completely unconvinced, and would like to give you examples of current female artists who deserve the same popularity and exposure as Lady Gaga is getting. And, also I’ll include some songs by popular artists that do what Lady Gaga does, but better. Lest you think I’m being a snob, the first song I pick is:

Britney Spears – Break The Ice from Blackout. This song also has the live drum sound going on, but the composition of the song is of such a high quality. The cycling synth line is infectuous. And, unlike anything on Lady Gaga’s album the song fills your headphones.

Girls Aloud – Biology from Chemistry. The song starts with a shambolic rendition of a typical bluesy guitar melody, but it’s a red herring. It quickly shifts into a galloping techno track that builds with a huge crescendo. The chorus doesn’t even hit until two minutes in. This is about as good as pop music gets.

Roisin Murphy – Movie Star from Overpowered. A synth riff more monstrous than anything off Lady Gaga’s album. And a lyrical topic tackled throughout Lady Gaga’s album. Just done in a self-aware, and tactful way.

Goldfrapp – Koko from Supernatural. Another huge synth riff, clearly influenced by Gary Numan and creating a pounding yet ethereal pop track out of it. Goldfrapp make their synths rock on this track. And the bridge is divine.

Annie – Loco from Don’t Stop. This song is unreleased. I love the mixture of techno synths and britpop guitar played by Alex Kapranos from Franz Ferdinand. I still listen to this and am amazed Annie didn’t feel it good enough to release.

Sally Shapiro – Miracle from My Guilty Pleasure. From Shapiro’s second album due August 25th. Sally Shapiro’s first album was a gorgeous, unique, well-crafted piece of work, and this first single indicates her second album will bring more of the same only better. This track is a bit more aggressive and anthemic than her earlier work. I also love how her voice is used with the little whispers and multi-tracking.

Robyn – Dream On from Robyn. A bouncy electro track that is conscious of a world beyond fame and sex. Oh, and strings.

Ladytron – Destroy Everything You Touch from Witching Hour. Electro rock pop, gothic and vital and emotional. Bright and bouncy and a dab of shoegaze guitar at the end. It takes a ton of adjectives to explain just this one song.

Lykke Li – Little Bit from Youth Novels. And finally, a slower, quieter song. It’s just as electronic as any of the above songs, but with a pretty, vaguely exotic guitar figure. The lyrics have emotional complexity, but are just as bluntly sexual as Lady Gaga gets: “And for you I keep my legs apart and forget about my tainted heart.”

May 6, 2009

Top 10 Favorite Albums 2009… so far

Yes, it’s only May 6th. That means 2009 has existed for only four months and some change. But, I can easily make a list of 10 albums that came out this year that I love. 2009 can end now. Most of the links below are to YouTube videos, and I hope you’ll click on them. In alphabetical order:

1. Art Brut – Art Brut Vs. Satan: Let’s face it, you listen to Art Brut for Eddie Argos, his blunt British voice and his acerbic lyrics. On Vs. Satan he drops more of his signature lines like “I fought the floor and the floor won” and “Why is everyone trying to sound like U2, it’s not a very cool thing to do.” Art Brut are a music geek’s band. Argos constantly recalls rock and roll’s history, and spends half the album talking about how much he loves music. How can you not love a band who writes a song called “DC Comics and Chocolate Milkshake”, which is about just that. Their music is deceptively simple, and seven minute final track “Mysterious Bruises” proves, to me at least, that they’re accomplished songwriters. Art Brut’s first album, Bang Bang Rock & Roll was a favorite of mine, but for some reason It’s A Bit Complicated didn’t quite connect with me as much. I can’t put a finger on what the difference is, but their new album is back to form.

2. Bat For Lashes – Two Suns: You can compare her to Kate Bush, Annie Lennox and others, but no one truly sounds like Natasha Khan. I see her witchy, mystic aesthetic as only continuing a great female tradition. Her voice is unique and powerful. Her way with rhythm and percussion, using tympani, shakers, bells, handclaps and whatever else is, in my opinion, her signature. I loved Fur And Gold, and I think this album is worlds better. “Sleep Alone” is my favorite song of the year so far, with its pulsing bassline, grooving beat, and vaguely Indian guitar. Khan was somehow able to impress Scott Walker enough to lend his voice to the theatrical closing duet “The Big Sleep”, and she stands shoulder to shoulder with someone I consider possibly the greatest living male vocalist. And, of course “Daniel”, which apparently is really about The Karate Kid character and amounts to a great new wave pop song that is in no way as cheesy as it sounds. I could say lots more, but maybe you should look at her performing “Daniel” and “Sleep Alone” on British show Later… With Jools Holland. That should convince you.

3. Camera Obscura – My Maudlin Career: This is what romance and heartbreak sounds like. If you like Camera Obscura already, you’ll know they’ve been building to this album. Much of My Maudlin Career is full on classical pop, songs like “French Navy” and Careless Love” melodically driven by strings. Other songs, like “Honey In The Sun” are horn and organ driven affairs. Their music is modern 50s and 60s pop, reminiscent of Roy Orbison, girl groups, and country. The album is produced with tons of reverb and echo, which gives it a dream-like quality. Traceyanne Campbell’s voice and lyrics are as sad and lovely as you could ever ask for. Example, “I know you mean well, yes I know that you do, but sooner or later you’re gonna break me in two” from “Towns and Cities”, later saying “Oh still I wanna tell you I love you best”. This album is how you imagine your heartbreak would sound if it were music. And, it should be played loud like you mean it.

4. Neko Case – Middle Cyclone: As I said in my earlier blog entry, Neko Case is an inventive, unique songwriter with arguably the best voice in music. Middle Cyclone is an emotional, dramatic album. It’s poetic and artistic. It’s organic and natural. “This Tornado Loves You” is one of the greatest love songs I’ve ever heard, literally told from the point of view of a tornado and a great metaphor for what love can feel like. She makes her covers of “Never Turn Your Back On Mother Earth” and “Don’t Forget Me” her own songs. Her songs shift and change, like in “The Pharoahs” where it starts with one melody, and quickly shifts to a whole new melody. She does dark noir, like the sax laden “Red Tide”, or bright and fun like “People Got A Lot Of Nerve”. Really, she can do no wrong in my eyes. And yes, I even like to listen to the end track “Marais La Nuit” which is a 30 minute recording of frog song and night ambience.

5. The Decemberists – The Hazards Of Love: I was pretty skeptical when I heard that the new Decemberists album was going to be their “rock opera”. I was pleasantly surprised, because I think this album is pretty fucking great. It continues the traditions of Pink Floyd and The Who. They even recall Heart with the vocals of Shara Worden (My Brightest Diamond) on “The Wanting Comes In Waves”. But, it sounds like The Decemberists. I barely know what’s going on in the story. Something about a girl getting kidnapped and some guy trying to get her back from a Queen? No? Oh well. It rocks, has harpsichords, strings, banjos and accordians. Like a Decemberists album. There are multiple vocalists and musical themes are repeated throughout, just like a rock opera should sound have. They really pull off the whole thing. It easily could have been a disaster.

6. The Juan MacLean – The Future Will Come: I listened to nothing else for two straight weeks. Like I said in my blog entry, I feel like this album is what the last 30 years of electronic dance music has led to. It’s fun, sad, and great to drive to.

7. The Pains Of Being Pure At Heart – S/t: Their feedback drenched guitars and precious male and female vocals will remind you of a few shoegazing bands. But, so what. Their debut album has 10 fantastic songs. From the drumless opening track “Contender” to the pounding “Be My Baby” drums of last track “Gentle Sons”, all you’ll think is that this is a great band to have around. Especially when they find time for the sweet brit-pop of the acoustic guitar driven “Stay Alive”.

8. Royksopp – Junior: Their third album is a happy medium between their debut, Melody A.M., and their second album, The Understanding. The pretty downtempo of one has been married to the pulsing electropop of the other. You have the pounding techno track “This Must Be It”, sung by The Knife’s Karin Dreijer Andersson, which they drop four songs into the album like they could do it in their sleep. Then the pretty whimsical pop of “Miss It So Much”, sung by Lykke Li (which reminded me how much I love her voice). The string epic “Royksopp Forever” starts off like an Air pastiche, but in the middle shifts into a gorgeous song befitting it’s name. Royksopp are known for being great producers, and this album sounds amazing. It’ll fill your headphones with clicks and whirs and synths, “True To Life” being a great example. I think ultimately what sets Royksopp apart is their music is fun to listen to, and it sounds like they had fun making it. After all, lead off song is called “Happy Up Here” and it samples the video game Space Invaders.

9. St. Vincent – Actor: I like this album more than her first album Marry Me. This album is lush with strings and woodwinds. Some songs groove, some songs float. Songs meander in different melodic directions at will, and at times will suddenly surprise you with sections of loud guitar and percussion. Annie Clark has a lovely voice, and the whole album is gorgeous to listen to. The more times you listen, the more you notice. She seamlessly and artistically mixes rock, jazz, classical, and electronica. There’s so much going on, and it just came out yesterday, so I really can’t begin to discuss specific tracks right now. You should see her live, she’s adorable and a great guitar player.

10. Yeah Yeah Yeahs – It’s Blitz!: I can’t add much more than my previous blog entry. Provided they don’t break up for some reason, it’s safe to say YYYs are one of this generation’s greatest bands. I really never thought I’d enjoy string versions of YYYs songs as much as I do…

I feel I must comment on one more album:

Animal Collective – Merriweather Post Pavillion: I’ve had a hard time “getting” Animal Collective. Each album is welcomed with tons of praise and love. And, I get that they’re talented, and I agree they have a truly original sound. But, their albums always have seemed like aural soup to me, with little for my ear to grab on to. Animal Collective mix folk, ambient, Beach Boys style vocals, psychedelic rock, etc etc etc. But, their newest album is a conscious effort to streamline their sound into four to five minute structures, and I have to say I really enjoy it. Especially “Summertime Clothes”, which is an actual electronic dance song with a great beat. Their music can be joyful, like “Brother Sport”, and they’re like a playful kitten you can’t help but warm up to despite how pretentious I think they can be. And, they can sing. I have to admit that. I’m going to have to give their earlier albums another chance now.

January 28, 2009

Melodies And Desires

Everytime I listen to this song it breaks my fucking heart. Sometimes, like tonight, it makes me cry. Cry in the way Vespertine does. I cannot define love in words, only play representations in sound.

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January 16, 2009

I wish I were Spike Jonze’s brother.

Because then I could put together an album with the most insane guest list ever. Squeak E. Clean aka Sam Spiegel aka Spike Jonze’s brother and some other dude named DJ Zegon aka Ze Gonzales have formed a duo called N.A.S.A. (North America / South America) and are releasing their first album The Spirit Of Apollo on February 19th on the excellent record label Anti-, website link here. Here is the track listing, read it and weep:

1. “Intro”
2. “The People Tree” (feat. David Byrne, Chali 2na, Gift of Gab, & Z-Trip)
3. “Money”(feat. David Byrne, Chuck D, Ras Congo, Seu Jorge, & Z-Trip)
4. “NASA Music” (feat. Method Man, E-40, & DJ Swamp)
5. “Way Down” (feat. RZA, Barbie Hatch, & John Frusciante)
6. “Hip Hop” (feat. KRS-One, Fatlip, & Slim Kid Tre)
7. “Four Rooms, Earth View”
8. “Strange Enough” (feat. Karen O, Ol’ Dirty Bastard, & Fatlip)
9. “Spacious Thoughts” (feat. Tom Waits & Kool Keith)
10. “Gifted” (feat. Kanye West, Santogold, & Lykke Li)
11. “A Volta” (feat. Sizzla, Amanda Blank, & Lovefoxxx)
12. “There’s a Party” (feat. George Clinton & Chali 2na)
13. “Whachadoin?” (feat. Spank Rock, M.I.A., Santogold & Nick Zinner)
14. “O Pato” (feat. Kool Kojak & DJ Bãboa)
15. “Samba Soul” (feat. Del Tha Funkee Homosapien & DJ Qbert)
16. “The Mayor” (feat. The Cool Kids, Ghostface Killah, DJ AM & Scarface)
17. “N.A.S.A. Anthem”

Here’s the first video, “Money”, featuring David Bryne, Chuck D, Seu Jorge etc. Watch it, trust me.

November 27, 2008

Top 10 Favorite Albums 2008

This year has been a weird one for me. I think I’ve listened to music less this year then I ever have before. Some of it has to do with less free time, too many podcasts (which I’ve cut down on), too much news watching and obsessing over the election, my job taking a huge toll on me. An album had to really stand out for it to demand my attention. And, in the end perhaps this is a better list for it. That’s not to say I haven’t listened to a lot of music this year. I’ve heard the Bon Iver, Cut Copy, Shearwater, Deerhunter, She & Him, Santogold, etc albums. And, I do recommend those albums as well. But, this list represents what I put on repeat this year. In order, but in no way claiming it’s the “best” music of the year, my Top 10 for 2008:

10. The Hold Steady – Stay Positive: I became a believer with this, their 4th album. I had read so much about how well respected and liked The Hold Steady are. While I definitely agreed that Craig Finn is a charismatic singer and gifted storyteller, I felt musically little on their first three albums stood out. Stay Positive is a whole other story. The songwriting is so much stronger this time. Sure, I can point to the usage of harpsichord on “One For The Cutters”, or the gothic banjo tinged song “Both Crosses”, or the non-cheesy use of a talkbox on “Joke About Jamaica”. But, even the traditional Hold Steady rock songs are memorable this time. What an awesome rock anthem “Constructive Summer” is, especially that piano-led bridge. Favorite Songs: Constructive Summer, Both Crosses, Joke About Jamaica

9. Los Campesinos! – Hold On Now, Youngster…: British twee pop/punk with shared male/female lead vocals and seemingly the rest of the seven-piece band on background vocals. Plus glockenspiels. Plus violins. Plus whatever else. The band earns its exclamation point. Each song is a controlled mess, seemingly about to go off the rails, yet it never quite does. Instead it’s just really fun to listen to. The six-minute “You! Me! Dancing!” doesn’t seem any longer than the the two-minute “My Year In Lists”. For me, what makes the band really stand out is the wittiness of the lyrics. There are great lines that stick out all over. “I’m taking far too many chances on these less idealistic romances”, or “Four sweaty boys with guitars tell me nothing about my life”, or “The opposite of true love is as follows: Reality” are just a few great examples. If only every indie pop/punk band were this intelligent about their emotional issues. Favorite Songs: Broken Heartbeats Sound Like Breakbeats, My Year In Lists, You! Me! Dancing!

8. Gang Gang Dance – Saint Dymphna: This is clearly their “pop structure” album. Gang Gang Dance have taken their stew of Brooklyn indie guitars, tribal drumming, beats, ambient synths, and the exotic vocal mews and wails of Liz Bougatsos and tightened it all into (slightly) more structure. Hell, there’s even a hiphop track with a guest rapper, UK grime artist Tinchy Stryder, on “Princes”. All the songs flow into each other, much like previous album God’s Money, but especially on tracks like the out and out er… house jam of “House Jam” there are actual resemblances to songs. You can tell apart the tribal-punk of “First Communication” from the techno of “Afoot”. Clearly, this band is talented enough to go all out dance-pop if they wanted to. They’re all the better for subverting pop into their own unique hypnotic soundscapes. Favorite Songs: Afoot, House Jam, Desert Storm

7. Hercules & Love Affair – Hercules & Love Affair: Hey look, it’s the annual DFA production on my top 10. This is modern disco. But not cheesy. Instead, it’s classy, sophisticated, mature. Which makes sense, as it’s been 30 years since disco’s peak. “Blind” is the peak of the album, melancholic lyrics about growing older and finding yourself alone set to a pulsing dancefloor backdrop. Everything sounds lush and gorgeous. There are live horns all over the album, for example on the extended outro of “This Is My Love”, creating a jazzy Manhattan atmosphere. Finally, I must add what an achievement it is that they have cast Antony of Antony And The Johnsons in the roll of disco siren, a role that I don’t find irritating at all and actually feel perfectly suits his androgynous vocals. Favorite Songs: Blind, This Is My Love, True False/Fake Real

6. Portishead – Third: Do I need to tell you about Portishead? If so, get yourself an education already. Their third album will not surprise you in its mood. It’s suffocating in its dark mood, and filled with heartbreak and dread. The sound is still modern noir, blues, and ::sigh:: trip-hop. And it’s still gorgeous. That’s not to say the songwriting is more of the same. In fact, nothing on their previous two albums sounds like the pulsing drone of “We Carry On” or the powerful industrial track “Machine Gun”. It takes two minutes before Beth Gibbons makes her entrance during the krautrock of “Silence”, which begins the album with a sample of a man talking in Portuegese. What may be surprising is that 11 years after their last album, it easily is an equal of their first two, now considered classic, albums. I really hope 11 years doesn’t pass before their fourth. Favorite Songs: Silence, The Rip, Machine Gun

5. Neon Neon – “Stainless Style”: You know all those bands who have been aping 80’s moves? It took Gruff Rhys, the singer from Welsh rock band Super Furry Animals, and Boom Bip, hiphop/electronica producer, to realize the obvious: Why not make actual 80’s music!? A concept album about John DeLorean (think Back To The Future), most of the songs are lush with new wave synths, canned snare hits, falsettos, echoed guitars, and synthy bongo drum percussion. But with no irony, no winking. It’s serious. And seriously fun. Me and my friend Ian drove around listening to this album one day and we kept breaking out in laughter. You can’t listen to the opening 1:20 of “Raquel”, where they ride the beat before the melody even arrives, and not feel they’re having a blast creating this music. The lyrics, “Michael Douglas” being the perfect example, totally evoke the sad decadence of the era. Add to this great hip hop songs fronted by Spank Rock, Yo Majesty, and Fat Lip, and it’s almost too great of an idea to believe it exists. Favorite Songs: I Told Her On Alderaan, Raquel, Michael Douglas

4. Annie – Don’t Stop: This album wasn’t officially released. Annie, saying she’s being a “typical Norwegian”, decided to go back and work on more songs. Just recently Annie said she has severed her relationship with her record label because they didn’t want to give her a concrete release date. Either way, the album was leaked. Annie produces what I call Intelligent Pop Music (IPM). I could talk about every song on the album, but here’s the highlights. “I Know Ur Girlfriend Hates Me” is the adult version of Lavigne’s “Girlfriend”. Sexy and self-confident, where Lavigne can only manage teeny brattiness. “Loco” combines dance-pop with the britpop guitar of guest Franz Ferdinand’s Alex Kapranos. “What Do You Want (The Breakfast Song)” is on the surface ridiculously silly with its cheerleader chant of “What do you want, what do you want for breakfast”, but listen to the complexity of the drums and beat structure. The song also gets less silly when you realize she’s talking about matters of the post-coital variety. If she thought this wasn’t good enough to release, I cannot wait for the official release to find out what is. Favorite Songs: I Know UR Girlfriend Hates Me, Loco, What Do You Want (The Breakfast Song)

3. Robyn – Robyn: The Swedes and the Norwegian have it all over the rest of the world. I don’t want to beat a dead horse about the pathetic state of pop music. Lets just say I’m not a fan of Katy Perry. Yes, this is Robyn of Show Me Love fame. In the 11 years since that album she’s somehow quietly managed to perfect pop music. This, her third album, was almost all cowritten by her and released on her own label. She’s capable of singing (really singing!) honest, emotional songs, like on the epic techno ballad “With Every Heartbeat” or the dance-pop “Be Mine!”. She’s capable of doing cute rapping on the fun “Konichiwa Bitches” or improving other people’s songs and outdoing Mad Cobra on her cover of the Teddybears’ “Cobrastyle”. She’s even capable of sounding right at home at the cutting edge of electronica like on The Knife produced “Who’s That Girl”. And she’s capable of it because of her obvious talent and her personality that shines throughout the entire album. Every song is a potential hit single, and eight have been released so far. People need to start paying her millions to write songs for them. Favorite Songs: Konichiwa Bitches, Be Mine!, With Every Heartbeat

2. Lykke Li – Youth Novels: Pop music that does so much with so little. The album was produced by Bjorn Yttling of the excellent Peter Bjorn & John. Some songs often have barely a synth, piano or guitar, a beat, and singing, but unless you pay attention you won’t even notice. The sparseness makes it all the more beautiful when the songs become more ornate. Like the strings that grace “Melodies & Desires” or the saxophone that dances around toward the end of “Dance, Dance, Dance”. She’s Swedish, so naturally all the songs are tinged with sadness and melancholy, as all great pop music should be. It permeates through the dance kiss-off of “I’m Good, I’m Gone” or the gorgeous Spanish guitar balladry of “This Trumpet In My Head”. An exception is “Melodies & Desires”, which attains a poetic sensualness I’ve rarely heard. Not for those who cringe at pixie European-accented female vocals, which I happen to adore. Favorite songs: Melodies & Desires, Dance Dance Dance, This Trumpet In My Head

1. Fleet Foxes – Sun Giant EP/Fleet Foxes: Epically gorgeous folk music. The lead singer’s voice, the vocal harmonies, and the instrumentation are beautiful on the same level that classical composers must have been reaching to Heaven with their oratorios and cantatas . On top of that, the songwriting is not just merely pretty, but also complex and surprising. Somehow the album encompasses all four seasons in its sound. It’s a masterpiece, all the more so for being a debut album. The kind of album that I imagine would make other musicians burn their instruments in defeat. Favorite Songs: English House, Your Protector, Blue Ridge Mountains

Honorable Mention: Girl Talk – Feed The Animals: Night Ripper Version 2, different songs, same awesome.
Honorable Mention Pt. 2: Flying Lotus – Los Angeles: You know the great instrumental hip hop interludes on Adult Swim. This guy does them. Total ear candy.
Biggest Disappointment: My Morning Jacket – Evil Urges: What a snoozefest.
Band I Still Can’t Quite Get Behind: TV On The Radio – Dear Science,: Everything I read tells me they’re geniuses. But, I just don’t find myself enjoying them as much as I apparently should? I dunno, their music sounds like aural soup to me.
Notice Something Missing?: Vampire Weekend – Vampire Weekend: Because I feel empty after listening to it. It inspires nothing out of me.
Finally: The Raveonettes – Lust Lust Lust: Was included on last year’s list since it was released in Europe in 2007.